Ilija Pejoski
Vladimir Nikolov Nonet: „History Now“
Serbia
Dom omladine Beograda // Great Hall
Ivan Radivojević - trumpet
Luka Ignjatović - alto saxophone
Kristijan Mlačak - tenor saxophone
Đorđe Kujundžić - baritone saxophone and bass clarinet
Matija Evetović - trombone
Sava Miletić - piano
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Luka Ignjatović - alto saxophone
Kristijan Mlačak - tenor saxophone
Đorđe Kujundžić - baritone saxophone and bass clarinet
Matija Evetović - trombone
Sava Miletić - piano
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Kristijan Mlačak - tenor saxophone
Đorđe Kujundžić - baritone saxophone and bass clarinet
Matija Evetović - trombone
Sava Miletić - piano
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Đorđe Kujundžić - baritone saxophone and bass clarinet
Matija Evetović - trombone
Sava Miletić - piano
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Matija Evetović - trombone
Sava Miletić - piano
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Sava Miletić - piano
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Vladimir Nikolov - guitars
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Milan Nikolić - double bass
Aleksandar Cvetković - drums
Aleksandar Cvetković - drums
Vladimir Nikolov (Skopje, 1979) is a composer, arranger and conductor whose work bridges classical music and jazz. His international collaborations include Metropole Orkest, Konzerthausorchester Berlin and the Brussels Philharmonic, as well as artists such as Randy Brecker, Vince Mendoza, Chaka Khan, Jacob Collier and Kurt Rosenwinkel. A recipient of numerous international awards for composition and arranging, Nikolov has headed the Jazz and Popular Music Department at the Faculty of Music in Belgrade since 2018. His new project, Vladimir Nikolov Nonet: “History Now”, brings together leading Serbian jazz musicians in an exploration of history as social concept, musical heritage and personal experience. Ten new compositions challenge established assumptions through stylistic contrasts, unexpected interventions and powerful improvisation, guided by the motto: “Myths are styles, and styles are myths.”















