{"id":5810,"date":"2026-10-15T07:07:33","date_gmt":"2026-10-15T07:07:33","guid":{"rendered":"https:\/\/bjf.rs\/?p=5810"},"modified":"2026-10-16T12:25:46","modified_gmt":"2026-10-16T12:25:46","slug":"vladimir-nikolov-u-susret-svetskoj-premijeri-projekta-history-now","status":"publish","type":"post","link":"https:\/\/bjf.rs\/en\/vladimir-nikolov-u-susret-svetskoj-premijeri-projekta-history-now\/","title":{"rendered":"VLADIMIR NIKOLOV U SUSRET SVETSKOJ PREMIJERI PROJEKTA \u201eHISTORY NOW\u201c NA BEOGRADSKOM D\u017dEZ FESTIVALU: \u201eTRADICIJA IMA SMISLA AKO IZ NJE NASTAJU NOVA MUZIKA I NOVE IDEJE.\u201d"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-portret-marko-cvetkovic-682x1024.jpg\" alt=\"Vladimir Nikolov, foto Marko Cvetkovi\u0107\" class=\"wp-image-5807\" srcset=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-portret-marko-cvetkovic-682x1024.jpg 682w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-portret-marko-cvetkovic-200x300.jpg 200w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-portret-marko-cvetkovic-768x1154.jpg 768w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-portret-marko-cvetkovic-8x12.jpg 8w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-portret-marko-cvetkovic.jpg 800w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><figcaption class=\"wp-element-caption\">Foto: Marko Cvetkovi\u0107<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vladimir Nikolov <\/strong>(Skoplje, 1979) sara\u0111ivao je sa brojnim uglednim me\u0111unarodnim orkestrima i istaknutim d\u017eez umetnicima, a dobitnik je i niza nagrada za kompoziciju i aran\u017eman. Od 2018. godine vodi Katedru za d\u017eez i popularnu muziku na Fakultetu muzi\u010dke umetnosti u Beogradu. Kao jedan od osniva\u010da i kolider ansambla Nikolov-Ivanovi\u0107 Undektet, objavio je tri albuma koje je \u010dasopis JazzTimes prepoznao kao ostvarenja jednog od najkreativnijih velikih d\u017eez ansambala u Evropi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Realizaciju koncerta Vladimir Nikolov Noneta podr\u017eao je SOKOJ.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Na ovogodi\u0161njem, 42. Beogradskom d\u017eez festivalu premijerno predstavljate Vladimir Nikolov Nonet i album \u201e<\/strong><strong>History Now\u201c. \u0160ta je bio po\u010detni impuls za ovaj projekat i kako se ideja o istoriji razvila u muzi\u010dki koncept?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vladimir Nikolov:<\/strong> U oktobru 2024. godine do\u0161ao sam na Beogradski d\u017eez festival da \u010dujem koncert \u201eSerbian All Stars: Past, Present and Future\u201c, na kom su svirali moje kolege. Konceptualno, to je bila druga\u010dija pri\u010da, ali je na svoj na\u010din tako\u0111e bila vezana za istoriju \u2014 u ovom slu\u010daju lokalnu. Koncert je bio fenomenalan; na sceni se dogodila neka posebna magija.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Taj koncert je sna\u017eno uticao na mene i podstakao me da napravim ne\u0161to sli\u010dno, koriste\u0107i sli\u010dnu postavku benda, ali sa dodatim duva\u010dima, kako bih tom ve\u0107 veoma energi\u010dnom ansamblu dodao jo\u0161 jedan sloj zvuka i izraza.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U tom procesu po\u010deo sam ne\u0161to dublje da razmi\u0161ljam o istoriji kao konceptu, ne samo kao o zbiru doga\u0111aja koji su se ve\u0107 dogodili, ve\u0107 kao o ne\u010demu \u0161to i danas direktno uti\u010de na na\u010din na koji razumemo sebe i svet oko nas. Istovremeno, svetska de\u0161avanja poslednjih godina dodatno su potvrdila tu potrebu da istoriju preispitujemo. \u010cini mi se da je to neophodno, pogotovo ako imamo utisak da iz nje, o\u010digledno, jo\u0161 uvek ne u\u010dimo dovoljno.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Moto projekta glasi \u201eMitovi su stilovi, i stilovi su mitovi\u201c. Kako danas posmatrate odnos prema d\u017eez tradiciji i koliko je za Vas va\u017eno preispitivanje ustaljenih predstava o muzi\u010dkim stilovima?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vladimir Nikolov:<\/strong> Preispitivanje je va\u017eno ne samo kada govorimo o muzi\u010dkim stilovima, ve\u0107 i o svim pri\u010dama od kojih u\u010dimo i na osnovu kojih gradimo svoju perspektivu postojanja na ovom svetu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fascinantno mi je to \u0161to gradimo \u010ditave religije, imperije, nacionalne pri\u010de i kulturne pokrete na bazi \u2014 pri\u010da. To, naravno, ne zna\u010di da je to nu\u017eno pogre\u0161no, ali jeste zanimljivo koliko nam je malo nau\u010dne utemeljenosti ponekad potrebno da bismo zajedno \u017eiveli na ovoj planeti i stvorili neke zaista velike stvari. I onda uni\u0161tili ih i vratili se na po\u010detak, opet zbog \u2013 pri\u010da.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pri\u010de pokre\u0107u svet, ali ga i ru\u0161e, \u010desto mnogo vi\u0161e nego administrativne potvrde, ugovori ili na\u0161i poku\u0161aji da stvari jasno razvrstamo i smestimo u odre\u0111ene kategorije. Isto se, po mom mi\u0161ljenju, de\u0161ava i sa muzi\u010dkim stilovima \u2014 napravimo kategoriju, damo joj ime, odredimo njene granice i vremenom po\u010dnemo da verujemo u nju kao u ne\u0161to \u010dvrsto i nepromenljivo.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vladimir Nikolov Nonet - History Now (teaser)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Utoarf0wIJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>U deset novih kompozicija prepli\u0107u se razli\u010diti muzi\u010dki uticaji, od posveta Lajlu Mejsu i Antoniju Karlosu \u017dobimu do neo\u010dekivanih intervencija u formi i sna\u017enih improvizacija. Kako ste gradili odnos izme\u0111u referenci koje su u muzici jasno prepoznatljive i onih koje ostaju tek na nivou asocijacije?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vladimir Nikolov:<\/strong> Postoje dva na\u010dina na koja se to obi\u010dno odvija u mom slu\u010daju. Prvi je intuitivan. Tokom rada na nekoj kompoziciji ne primetim nu\u017eno sve uticaje koji se pro\u017eimaju kroz muzi\u010dki tekst, ve\u0107 tek pri kraju pisanja shvatim da tu postoji odre\u0111ena veza. Tada imam izbor da je naglasim, sakrijem ili ostavim da prirodno zra\u010di istorijom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Drugi na\u010din je studiozan: svesno odlu\u010dim da radim sa muzikom odre\u0111enog kompozitora, ali \u017eelim da kompozicija, koliko god bila ograni\u010dena njegovim stilom, ipak zvu\u010di novo i sve\u017ee. To nije jednostavno, jer je potrebno vreme da se svi ti elementi slegnu i obrade. Mislim da je ovo prvi projekat na kom sam uspeo da pre\u0111em neke ranije prepreke u tom kreativnom procesu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pisati oma\u017e je, zapravo, te\u017ee nego pisati slobodnu kompoziciju. Kod oma\u017ea ve\u0107 ulazite u svet koji je publici poznat, pa postoji dvostruki teret: muzika treba da bude prepoznatljiva, ali istovremeno mora da donese ne\u0161to novo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0160to se ti\u010de intervencija u formi, one su u slu\u017ebi igre sa stilovima. Nagla promena stila otvara novi muzi\u010dki milje, u kom se i forma druga\u010dije odvija. Kada se na to doda improvizacija, koja je u ovom ansamblu na zaista zavidnom nivou, nastaje neka vrsta muzi\u010dkog organizma koji sam sebe hrani idejama.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"641\" src=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/vladimir-nikolov-nonet-ilija-pejoski-1024x641.jpg\" alt=\"Vladimir Nikolov Nonet, foto Ilija Pejoski\" class=\"wp-image-5806\" srcset=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/vladimir-nikolov-nonet-ilija-pejoski-1024x641.jpg 1024w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/vladimir-nikolov-nonet-ilija-pejoski-300x188.jpg 300w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/vladimir-nikolov-nonet-ilija-pejoski-768x481.jpg 768w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/vladimir-nikolov-nonet-ilija-pejoski-18x12.jpg 18w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/vladimir-nikolov-nonet-ilija-pejoski.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Foto: Ilija Pejoski<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nonet okuplja muzi\u010dare razli\u010ditih generacija sa beogradske d\u017eez scene. Na koji na\u010din rad sa ovim ansamblom uti\u010de na Va\u0161 autorski izraz i \u0161ta Vam njegova specifi\u010dna postava omogu\u0107ava u muzici koju stvarate?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vladimir Nikolov:<\/strong> U ovom projektu sam prvi put osetio istinsku potrebu da probam Elingtonov recept \u2014 da muziku pi\u0161em za muzi\u010dare, a ne za instrumente. Svaka kompozicija i aran\u017eman pisani su tako da podr\u017ee njihovu individualnost. \u010cak su i izbor stila, tempa i karaktera \u010desto bili vezani za nekog od muzi\u010dara ili za njih kao konkretnu grupu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U duva\u010dkoj sekciji su <strong>Ivan Radivojevi\u0107<\/strong>, <strong>Luka Ignjatovi\u0107<\/strong>, <strong>Kristijan Mla\u010dak, Matija Evetovi\u0107<\/strong> and <strong>\u0110or\u0111e Kujund\u017ei\u0107<\/strong>. Svako od njih je potpuno svestan svoje uloge u svakom delu i, iskreno, ne se\u0107am se da sam na probama i\u0161ta morao posebno da obja\u0161njavam. Trudio sam se da u aran\u017emanima ostavim dovoljno prostora da solisti sijaju, da program ima dovoljno gruva, a da u svemu tome prona\u0111em i svoje gitarske linije koje podr\u017eavaju muziku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Velika podr\u0161ka i vizija ritam sekcije \u2014 <strong>Save Mileti\u0107a<\/strong> na klaviru, <strong>Milana Nikoli\u0107a<\/strong> na kontrabasu i <strong>Aleksandra Cvetkovi\u0107a<\/strong> na bubnjevima \u2014 omogu\u0107ile su mi da jo\u0161 lak\u0161e prona\u0111em svoje mesto u bendu. Na kraju, ono \u0161to dobijam od ovog ansambla jeste upravo ta kombinacija stabilnosti i slobode.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"799\" height=\"922\" src=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-profil-marko-cvetkovic.jpg\" alt=\"Vladimir Nikolov, foto Marko Cvetkovi\u0107\" class=\"wp-image-5808\" srcset=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-profil-marko-cvetkovic.jpg 799w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-profil-marko-cvetkovic-260x300.jpg 260w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-profil-marko-cvetkovic-768x886.jpg 768w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-profil-marko-cvetkovic-10x12.jpg 10w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><figcaption class=\"wp-element-caption\">Foto: Marko Cvetkovi\u0107<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Na Beogradskom d\u017eez festivalu nastupali ste i ranije, a ovog puta se vra\u0107ate sa potpuno novim autorskim projektom. \u0160ta ovaj festival zna\u010di za Vas kao muzi\u010dara, a \u0161ta, po Va\u0161em mi\u0161ljenju, njegovo vi\u0161edecenijsko trajanje zna\u010di za razvoj i kontinuitet d\u017eez kulture u ovom delu Evrope?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vladimir Nikolov:<\/strong> Godine 2019. nastupao sam na Beogradskom d\u017eez festivalu sa Nikolov-Ivanovi\u0107 Undektetom i Me\u017eikom Malikom. Mogu\u0107e je da sam to ve\u0107 negde rekao, ali taj nastup je i danas jedan od mojih najboljih u karijeri. I dalje se se\u0107am atmosfere na sceni, a plakat tog festivala stoji oka\u010den na centralnom mestu u mojoj radnoj sobi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mislim da je festival krucijalan za kontinuitet d\u017eez kulture kod nas, ali i za potvrdu Beograda kao va\u017enog mesta za d\u017eez na ovoj strani Evrope. \u010cinjenica da se odr\u017eava vi\u0161e od \u010detiri decenije govori o kontinuitetu koji je veoma te\u0161ko uspostaviti, a jo\u0161 te\u017ee sa\u010duvati.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zanimljivo je i to \u0161to se na ovom festivalu zaista de\u0161avala istorija o kojoj govorimo u \u201eIstoriji sada\u201c. Mnogi va\u017eni muzi\u010dari i projekti pro\u0161li su kroz Beograd i ostavili trag na generacije muzi\u010dara i publike. Mislim da tu istoriju treba po\u0161tovati i negovati, ali ne i posmatrati kao ne\u0161to zavr\u0161eno i nedodirljivo. Tradicija ima smisla ako iz nje nastaju nova muzika i nove ideje.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-1024x683.jpg\" alt=\"Nikolov-Ivanovi\u0107 Undektet na Beogradskom d\u017eez festivalu 2019, foto Stanislav Milojkovi\u0107\" class=\"wp-image-5809\" srcset=\"https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-1024x683.jpg 1024w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-300x200.jpg 300w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-768x512.jpg 768w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-1536x1024.jpg 1536w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-2048x1365.jpg 2048w, https:\/\/bjf.rs\/wp-content\/uploads\/2026\/10\/nikolov-ivanovic-undektet-bdzf-2019-stanislav-milojkovic-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Nikolov-Ivanovi\u0107 Undektet i Me\u017eik Malik, Beogradski d\u017eez festival 2019. <br>Photo: Stanislav Milojkovi\u0107<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The 42nd Belgrade Jazz Festival takes place from 21 to 24 October at the Belgrade Youth Center, presenting 13 concerts by leading international and Serbian artists, followed by a closing jam session.<\/strong> This year, 12 ensembles are making their Belgrade Jazz Festival debut, spanning a wide range of styles, from blues, bebop and post-punk to hip-hop, R&amp;B, neo-soul, flamenco, Latin, funk, mainstream jazz and avant-garde.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ulaznice za koncerte dostupne su na prodajnim mestima i <a href=\"https:\/\/efinity.rs\/event-dates\/42_bjf_105\">online<\/a> putem sistema eFinity. Ograni\u010den broj festivalskih kompleta, koji va\u017ee za osam koncerata glavnog programa u terminima od 19 \u010dasova, dostupan je na blagajni Doma omladine Beograda.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The festival is organized by the <strong>Belgrade Youth Center<\/strong>. Patrons of the 42nd Belgrade Jazz Festival are the <strong>City of Belgrade \u2013 City Administration \u2013 Secretariat for Culture<\/strong> and <strong>the Ministry of Culture of the Republic of Serbia<\/strong>. Friends of the festival are <strong>SOKOJ and DPC Networks<\/strong>. The festival is supported by the <strong>Italian Cultural Institute in Belgrade<\/strong>, <strong>Instituto Cervantes<\/strong>, <strong>the Embassy of Portugal and Instituto Cam\u00f5es<\/strong>, <strong>Zbigniew Seifert Foundation<\/strong> and <strong>Mid Atlantic Arts<\/strong>. The festival\u2019s creative concept and visual identity are by <strong>McCann Belgrade<\/strong>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Vladimir Nikolov (Skoplje, 1979) sara\u0111ivao je sa brojnim uglednim me\u0111unarodnim orkestrima i istaknutim d\u017eez umetnicima, a dobitnik je i niza nagrada za kompoziciju i aran\u017eman. Od 2018. godine vodi Katedru za d\u017eez i popularnu muziku na Fakultetu muzi\u010dke umetnosti u Beogradu. Kao jedan od osniva\u010da i kolider ansambla Nikolov-Ivanovi\u0107 Undektet, objavio je tri albuma koje [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vesti"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VLADIMIR NIKOLOV U SUSRET SVETSKOJ PREMIJERI PROJEKTA \u201eHISTORY NOW\u201c NA BEOGRADSKOM D\u017dEZ FESTIVALU: \u201eTRADICIJA IMA SMISLA AKO IZ NJE NASTAJU NOVA MUZIKA I NOVE IDEJE.\u201d - 42. Belgrade Jazz Festival 2026<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bjf.rs\/en\/vladimir-nikolov-u-susret-svetskoj-premijeri-projekta-history-now\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VLADIMIR NIKOLOV U SUSRET SVETSKOJ PREMIJERI PROJEKTA \u201eHISTORY NOW\u201c NA BEOGRADSKOM D\u017dEZ FESTIVALU: \u201eTRADICIJA IMA SMISLA AKO IZ NJE NASTAJU NOVA MUZIKA I NOVE IDEJE.\u201d - 42. Belgrade Jazz Festival 2026\" \/>\n<meta property=\"og:description\" content=\"Vladimir Nikolov (Skoplje, 1979) sara\u0111ivao je sa brojnim uglednim me\u0111unarodnim orkestrima i istaknutim d\u017eez umetnicima, a dobitnik je i niza nagrada za kompoziciju i aran\u017eman. Od 2018. godine vodi Katedru za d\u017eez i popularnu muziku na Fakultetu muzi\u010dke umetnosti u Beogradu. Kao jedan od osniva\u010da i kolider ansambla Nikolov-Ivanovi\u0107 Undektet, objavio je tri albuma koje [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bjf.rs\/en\/vladimir-nikolov-u-susret-svetskoj-premijeri-projekta-history-now\/\" \/>\n<meta property=\"og:site_name\" content=\"42. 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